OperaV1, Main, Exploration, bibRecord, 001344

The effect of visual and auditory cues on seat preference in an opera theater.

Identifieur interne : 001344 ( Main/Exploration ); précédent : 001343; suivant : 001345

The effect of visual and auditory cues on seat preference in an opera theater.

Auteurs : Jin Yong Jeon [Corée du Sud] ; Yong Hee Kim ; Densil Cabrera ; John Bassett

Source :

The Journal of the Acoustical Society of America ; 2008.

RBID : pubmed:18537378

English descriptors

KwdEn :
- Acoustic Stimulation, Attention, Auditory Perception, Cues, Dancing, Humans, Music, Orientation, Photic Stimulation, Reaction Time, Sound Localization, Visual Perception.
MESH :
- Acoustic Stimulation, Attention, Auditory Perception, Cues, Dancing, Humans, Music, Orientation, Photic Stimulation, Reaction Time, Sound Localization, Visual Perception.

Abstract

Opera performance conveys both visual and auditory information to an audience, and so opera theaters should be evaluated in both domains. This study investigates the effect of static visual and auditory cues on seat preference in an opera theater. Acoustical parameters were measured and visibility was analyzed for nine seats. Subjective assessments for visual-only, auditory-only, and auditory-visual preferences for these seat positions were made through paired-comparison tests. In the cases of visual-only and auditory-only subjective evaluations, preference judgment tests on a rating scale were also employed. Visual stimuli were based on still photographs, and auditory stimuli were based on binaural impulse responses convolved with a solo tenor recording. For the visual-only experiment, preference is predicted well by measurements taken related to the angle of seats from the theater midline at the center of the stage, the size of the photographed stage view, the visual obstruction, and the distance from the stage. Sound pressure level was the dominant predictor of auditory preference in the auditory-only experiment. In the cross-modal experiments, both auditory and visual preferences were shown to contribute to overall impression, but auditory cues were more influential than the static visual cues. The results show that both a positive visual-only or a positive auditory-only evaluations positively contribute to the assessments of seat quality.

DOI: 10.1121/1.2912435
PubMed: 18537378

Affiliations:

Le document en format XML

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<author><name sortKey="Jeon, Jin Yong" sort="Jeon, Jin Yong" uniqKey="Jeon J" first="Jin Yong" last="Jeon">Jin Yong Jeon</name>
<affiliation wicri:level="1"><nlm:affiliation>School of Architectural Engineering, Hanyang University, Seoul 133-791, Korea. jyjeon@hanyang.ac.kr</nlm:affiliation>
<country xml:lang="fr">Corée du Sud</country>
<wicri:regionArea>School of Architectural Engineering, Hanyang University, Seoul 133-791</wicri:regionArea>
<placeName><settlement type="city">Séoul</settlement>
</placeName>
</affiliation>
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<author><name sortKey="Kim, Yong Hee" sort="Kim, Yong Hee" uniqKey="Kim Y" first="Yong Hee" last="Kim">Yong Hee Kim</name>
</author>
<author><name sortKey="Cabrera, Densil" sort="Cabrera, Densil" uniqKey="Cabrera D" first="Densil" last="Cabrera">Densil Cabrera</name>
</author>
<author><name sortKey="Bassett, John" sort="Bassett, John" uniqKey="Bassett J" first="John" last="Bassett">John Bassett</name>
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<sourceDesc><biblStruct><analytic><title xml:lang="en">The effect of visual and auditory cues on seat preference in an opera theater.</title>
<author><name sortKey="Jeon, Jin Yong" sort="Jeon, Jin Yong" uniqKey="Jeon J" first="Jin Yong" last="Jeon">Jin Yong Jeon</name>
<affiliation wicri:level="1"><nlm:affiliation>School of Architectural Engineering, Hanyang University, Seoul 133-791, Korea. jyjeon@hanyang.ac.kr</nlm:affiliation>
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<author><name sortKey="Kim, Yong Hee" sort="Kim, Yong Hee" uniqKey="Kim Y" first="Yong Hee" last="Kim">Yong Hee Kim</name>
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<author><name sortKey="Cabrera, Densil" sort="Cabrera, Densil" uniqKey="Cabrera D" first="Densil" last="Cabrera">Densil Cabrera</name>
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<author><name sortKey="Bassett, John" sort="Bassett, John" uniqKey="Bassett J" first="John" last="Bassett">John Bassett</name>
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<series><title level="j">The Journal of the Acoustical Society of America</title>
<idno type="e-ISSN">1520-8524</idno>
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<term>Dancing</term>
<term>Humans</term>
<term>Music</term>
<term>Orientation</term>
<term>Photic Stimulation</term>
<term>Reaction Time</term>
<term>Sound Localization</term>
<term>Visual Perception</term>
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<keywords scheme="MESH" xml:lang="en"><term>Acoustic Stimulation</term>
<term>Attention</term>
<term>Auditory Perception</term>
<term>Cues</term>
<term>Dancing</term>
<term>Humans</term>
<term>Music</term>
<term>Orientation</term>
<term>Photic Stimulation</term>
<term>Reaction Time</term>
<term>Sound Localization</term>
<term>Visual Perception</term>
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<front><div type="abstract" xml:lang="en">Opera performance conveys both visual and auditory information to an audience, and so opera theaters should be evaluated in both domains. This study investigates the effect of static visual and auditory cues on seat preference in an opera theater. Acoustical parameters were measured and visibility was analyzed for nine seats. Subjective assessments for visual-only, auditory-only, and auditory-visual preferences for these seat positions were made through paired-comparison tests. In the cases of visual-only and auditory-only subjective evaluations, preference judgment tests on a rating scale were also employed. Visual stimuli were based on still photographs, and auditory stimuli were based on binaural impulse responses convolved with a solo tenor recording. For the visual-only experiment, preference is predicted well by measurements taken related to the angle of seats from the theater midline at the center of the stage, the size of the photographed stage view, the visual obstruction, and the distance from the stage. Sound pressure level was the dominant predictor of auditory preference in the auditory-only experiment. In the cross-modal experiments, both auditory and visual preferences were shown to contribute to overall impression, but auditory cues were more influential than the static visual cues. The results show that both a positive visual-only or a positive auditory-only evaluations positively contribute to the assessments of seat quality.</div>
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<name sortKey="Kim, Yong Hee" sort="Kim, Yong Hee" uniqKey="Kim Y" first="Yong Hee" last="Kim">Yong Hee Kim</name>
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<country name="Corée du Sud"><noRegion><name sortKey="Jeon, Jin Yong" sort="Jeon, Jin Yong" uniqKey="Jeon J" first="Jin Yong" last="Jeon">Jin Yong Jeon</name>
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Serveur d'exploration sur l'opéra

The effect of visual and auditory cues on seat preference in an opera theater.

The effect of visual and auditory cues on seat preference in an opera theater.

Source :

English descriptors

Abstract

Links toward previous steps (curation, corpus...)

Le document en format XML

Pour manipuler ce document sous Unix (Dilib)

Pour mettre un lien sur cette page dans le réseau Wicri

Pour générer des pages wiki

	Serveur d'exploration sur l'opéra
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